New York, NY -- (SBWIRE) -- 09/03/2014 -- How do we define art in the era of a revolution? While popular artists like Carrie Mae Weems, Hopper, and Magritte travel around the world to showcase their masterpieces, there is but a growing number of modern and contemporary art museums flaring up with the concept of early modernism. Filled with awe and brimming with creativity, 567 Global Custom Framing, New York City’s pride in the field of custom framing and fine art printing, not to mention their well-assistance to both popular and aspiring artists, unravels the world and presents to us 2014’s key retrospectives, stimulating theme shows, and stunning art-selfie destinations in the world.

Where do we find the world’s most famous museums on earth?

Italian Futurism (1909 – 1944): Reconstructing the Universe in Guggenheim reveals the moving plot of the impetuous Italian forerunner. The Baltimore Museum of Art on the other hand, dramatically presents the radical strength of German Expressionism.

Venice Biennale proudly showcases its pride: Laure Prouvost, Pawel Althamer, Camille Henrot, Roberto Cuoghi, and Ragnar Kjartansson. Other art shows proving that museums in the USA are having global fame and influence are Braque’s immense Sigmar Pole retrospective, Jesper Just of Des Moines Art Center, Broad Art Museum’s Mithu Sen and Imran Qureshi, Nalini Malani of Asia Society, Rirkrit Tiravanija of Modern Art Museum of Forth Worth, Aspen Art Museum’s Ernesto Neto, Philadelphia Musem of Art’s Michael Snow, and Neuberger Museum’s Robin Rhode.

The aftermath of Matisse’s The Dance (1933) was the invitation to Yinka Shonibare in crafting work of art for its museums that created a big inspiration for its founder Albert Barnes to edify sundry audiences and to bring together tribal art.

The Jewish Museum is pulling out its own record too. Using “Primary Structures: Younger American and British Sculptors,” its dominance in the 1966 show of Minimalist sculpture, as a replica (both factually and curatorially), Jens Hoffmann has amassed “Other Primary Structures.” The two-part show showcases theoretical, arithmetical sculptures made by artists in Asia, Eastern Europe, Africa, the Middle East, and Latin America at the same time that Judd, LeWitt, and the rest were making their names in New York.

Columbus, Ohio’s Wexner Center concludes its Via Brasil concept for four years with the masterpiece Cruzamentos: Contemporary Art in Brazil. New York’s Beyond the Supersquare (in Bronx) projects the power of modernism and urbanism as collated by the artists from Portugal, Canada, and Latin America.

Grosse Fatique, a Camille Henrot’s work of art conceptualizes the beginning of life and myth. The Sinful Saints and Saintly Sinners at the Margins of the Americas, a pride of UCLA’s Fowler Museum, construes the divine formations in Brazil, Mexico, Guatemala, and the US (specifically in New Orleans).

New York’s Transgressions II in 2009 is being boasted by the Asia Society as led by Nalini Malani where she captivates the audience with her multimedia injection showing folkloric tradition silhouette play that converges with today’s technology. In the New Museum’s Lobby Gallery, Laure Prouvost displays her For Forgetting in 2013, a novel, immersive multichannel video incorporation that unravels slippages in reminiscence.

About 567 Gallery
567 Gallery has been serving the local art community and art lovers alike since 2007. Their reputation as a provider of quality framing at affordable prices has earned us many positive reviews from customers. 567 Gallery is a top rated local framing business on Yelp.

567 Gallery is actively involved in the NYC art community and an official partner of Art Expo New York.