Tony Nesca and Nicole I. Nesca have one question – where have all the fearless artists gone? Unable to find a mainstream publishing outfit that suited their taste for grittier writing, the Nescas formed their own – Screamin’ Skull Press.

Winnipeg, MB -- (SBWire) -- 01/23/2014 --For the Beat Generation, controversy was the norm, not the exception.

Creators like Jack Kerouac, William S. Burroughs and Lucien Carr courted debate and made careers out of pushing the proverbial envelope with their poems, books, music and other creative expressions. Living on the fringes of society was considered to be more exciting and fulfilling than conforming to the mainstream.

Authors and married couple Tony and Nicole Nesca feel connected to that Generation through their own work, and their innate understanding of what it means to be artists whose work cannot be deemed ‘conventional’ by anyone’s standards.

Currently writing, editing and publishing their works through their self-publishing venture, Screamin’ Skull Press, Tony Nesca and Nicole Nesca have both cultivated individual styles but have the same mission.

“To be frank, we see too much pushed out into the world today that is bland and formulaic,” says Tony Nesca, whose unique, humorous and lyrical sixth novel, ‘Hobo’ is out now. “Every other book is a rip-off of another rip-off. The bookstores are packed with these endless vampire stories and dystopian fairy tales. Where is our Anais Nin? Our Hunter S. Thompson?”

Screamin’ Skull Press exclusively publishes the works of the Nescas, and along with ‘Hobo’, released Nicole I. Nesca’s collection, ‘Kamikaze White Noise’ this year. Raw, electric and with a free flowing mix of prose and poetry, the companion pieces are explorations of sexual freedom, art, death and love.

“We knew that mainstream publishers wouldn’t have the courage to publish the kind of work that we want to create,” says Nicole Nesca. “It’s interesting – sometimes we wonder, could Charles Bukowski find success in today’s market? It’s as if bravery is a dirty word in literature. Fearlessness, to me, is everything to a writer. Although we have our own styles, I think that’s one thing that Tony and I saw in each other when we met – that drive to find truth and peel back the layers in our own work.”

“I think we first fell in love with each other’s writing,” says Tony. “Which was a fitting beginning to our story.”

Tony Nesca and Nicole I. Nesca have published 18 distinct works through their Indie Press, and their journey toward a more rebellious future for literature continues. On February 18th, 7pm EST, Tony Nesca will be appearing on an online radio show for an in-depth discussion concerning Indie artists in the industry. To listen to the interview live, visit: http://www.artistfirst.com

For more information about Screamin’ Skull Press, and for details on Tony Nesca and Nicole I. Nesca’s individual works, please visit their website: http://screamingskullpress.blogspot.ca/

About the Authors
Tony Nesca was born in Torino, Italy in 1965 and moved to Canada at the age of three. He was raised in Winnipeg but relocated back to Italy several times until finally settling in Winnipeg in 1980. He taught himself how to play guitar and formed an original rock band playing the local bars for several years. At the age of twenty-seven he traded his guitar for a Commodore 64 and started writing seriously. He has published six chapbooks of stories and poems (which he used to sell straight out of his knapsack at local dives and bookstores), six novels, three books of poetry and stories and has been an active contributor to the underground lit scene for twelve years, being published in innumerable magazines both online and in print.

Nicole I. Nesca was born in Ohio. She developed a love of music, painting and writing early on and continued that love throughout her adult life. While living in Canada, she completed her first three works of poetry and prose available individually or collected in the anthology piece, KAMIKAZE WHITE NOISE. She has been published in several E-Zines and has been a part of two anthologies.